The overall key (value range) of your painting.The nature of the light (how warm or cool it is).Your color selections will depend on factors such as: Think subtle color transitions rather than bravado statements like you see in Vincent van Gogh's work. That doesn't diminish the importance of color, it just means you need to be restrained in your use of it. Rarely will you see clouds bursting with color, bar maybe a vivid sunset. In terms of color, clouds are typically limited to white, grays, and other weak tones. See John Singer Sargent's study below-it's oozing with creative flare, but the fundamentals are strong as always with his work. You'll be free to add your own creative flair without compromising the sense of realism, whether that be energetic brushwork, subtle color transitions, a burst of light, or a rich, dark accent. Get these fundamentals right, and most of the hard work is done. The nature of the light (strong, weak, direct, diffused, warm, cool, etc.) influences the level of lightness (value) and color temperature. The position of the Sun in relation to the clouds determines which planes are hit by light and which are in shadow. Be selective with your highlights and dark accents-less is more! Areas in light should be distinct from areas in shadow. Planes facing towards the light will be lighter than planes facing away from light. For each change in plane, there's a change in lightness. Each cloud equals a simple form, be it a box, sphere, cylinder, cone, or combination. To keep things simple, assume there's one light source-the Sun. Once you see clouds as basic shapes and forms, you can apply the laws of light as you would to any object. (Note: This section applies more so to clouds that have a distinct form, with light and dark planes, rather than clouds that are better depicted by a flat shape). Errors often require a change in your perspective before they rear their heads. If not, there's something wrong with your clouds. If your drawing is correct, then the shapes representing positive space should match the reference. You start by outlining the shape of the clouds. ![]() For example, say you are painting clouds in the sky. Negative space also acts as a useful audit tool to check if your positive space is correct. There's nothing wrong with this approach, but sometimes it's more effective to focus on the negative space first. Most aspiring artists ignore option 2-they focus on painting things, rather than the area between things.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |